I create letters, blends, sounds, spaces, waves… I’ve watched the play from childhood. I remember how the play came, dreamlike, automatic… watched now from a distance I see the faint stirring of purpose in it. There was a hidden singing not mentioned in the grammar books. The unfolding syntax still looks magical as if by angelic help. But now we come to divinity manifest in consciousness, and the meaning of it.
Before words, worlds, kingdoms, I am amazed. Words spring spontaneously into sound, each as mysterious as my forgotten first word. I cannot find the full depth of their silent origin anymore than I can find the full depth of space. I know the subatomic structures of the brain do not yield the secret of words; their shapes and sounds are more spacious and multidimensional. I follow the sounds, and am alive in the creation and in the origin. I create with words and am created by them. I feel their musical patterns move from spherical to complex geometries, becoming vital spinning stars, life forms, the shapes of thoughts in space. I try to mirror the world of original patterns; it is impossible art, but full of joy.
Each word or word combination, beyond its formal meaning, has also a sound value. We might think of this as its qualitative or musical value. In music we recognize how sound communicates directly. The finest music and the finest speech resonate to the soul of things and give direct access to a world of meaning. Though we may not always be aware of it, the sound value of words speaks to us on a nonverbal level, and this meaning suffuses the formal meaning we apprehend by memory and association.
We might think of the sound or musical value of words as cymatic, where the geometry and forms of sound that we see in Cymatics have also their psychological correspondences. Under the impress of sounds, patterns arise in consciousnesses that are revelatory. And it is not simply objective sounds, as when we read or speak aloud—it is also the subtle sounds of inner life, the quiet patterns that form in the depths of thought and feelings as we listen, read, or think.
We sense patterns in consciousness, derive meaning, and these take shape in words, pictures, and sound. Our speech gives a body to consciousness, and gives others access to our inner life. We can also say that the sound/consciousness relation works in both directions where sound arises from consciousness and consciousness arises from sound.
In the Eastern concept of “mantra” the usual idea is that there are special words or formulas that, when repeated, give a desired result. As is often the case, a subtler meaning is contained in the root of a word. The word “mantra” is from the Sanskrit word “man” meaning “to think” with the suffix “tra” referring to a tool or instrument. In essence, mantra means “instrument of thought.” We may say that—among other things–mantra evokes thought or consciousness and that right thought or consciousness produces spiritually meaningfully expression or “mantra.”
Image from: Cymatics, A Study of Wave Phenomena by: Hans Jenny
The legendary idea of the “music of the spheres” rings true. Is an atom musical? Is a planet, a sun, or a galaxy musical? What of the auric sphere, the sphere of thought and consciousness? What of centers and subsidiary centers found in everything? It’s not just orchestral groups that are musical–one can sense the importance of resonance in all spheres where everything from the microscopic to the cosmic is understandable in musical terms. Meditative sensitivity to the transcendental music of life is infinitely more than the usual understanding of musical appreciation. Music, in a profound sense, is encoded with meaning where worlds of essential information are communicated in sound.
Since all is unity, particles of the cosmic song thread their way into everyday life–a human voice, the sound of the rain, or a bit of seemingly ordinary music. But customary conversations are often less conducive to perception than silence or the sounds of nature. And perceptive comparison with more musical expressions may render our usual talk embarrassing. Perhaps in this contrast there is a key of attunement and attainment.
Artistic variation on art piece by lilsnipeyxgfx.
What is intuition? It may be thought of as a world or a universe of meanings. Colors, notes, and lights are the best physical analogy. Intuition sparkles in the mind and feelings with a beauty so intense as to be sharp, even painful.
Intuition has relatives. The meaning of love and unity overlap with that of intuition. The meaning of “illuminated mind” overlaps with intuition, but the usual meaning of “rational truth” and “love” are far from intuition. Probably, we must be able to really think before we can expect intuitive light. In the silence following thought, we can often see the most clearly.
Sometimes we may see in the silence following simple observation. Some intuitive fire can emerge spontaneously as the accompaniment of sight. But it is hard to say what hidden preparations lead to the moment of revelation.
“And now here is my secret, a very simple secret: It is only with the heart that one can see rightly; what is essential is invisible to the eye.”
— The Little Prince
Semantics is the study of meaning in language, thought, and communication. Our thoughts are embodied in language and images. We give our thoughts bodies; we create these bodies in the act of forming words and pictures. We incarnate in our thoughts and words and become identified with them. This identification is apt to create an illusion in that we feel we have hold of reality whereas in fact, we often only have hold of the words, some mental pictures and associated intellectual constructions.
The soul of words is the meaning, the experience that our words point to, or should point to. It is this living experience, the consciousness behind the forms that ensouls words. By this understanding of the nature of our verbal and conceptual incarnations we arrive at the possibility of Transpersonal Semantics. The word “transpersonal” points to that which is beyond the personal. “Semantics” refers to the meaning of words.
Let us define Transpersonal Semantics as spiritual-perspective-semantics. It is a way of thinking about body and soul with special reference to the way we humans use language in thinking and communication. So, a certain approach to semantics becomes an art of spiritual interpretation–a way of thinking and talking about spiritual and material problems and their solutions. In this sense, a key to better thinking is found by constant awareness of the difference between form and essence, between word and reality, between thought and the silent reality behind thought.
Everything is gateway and symbol. See these dots: . . . They’re an “ellipsis,” a form of punctuation indicating an omission. The word “ellipsis” is from Latin and means, “to fall short.” When we speak, write, or think, we always fall short and the ellipsis reminds us of it. Therefore, add an implicit ellipsis to each thought and expression.
The ellipsis is the most important form of punctuation. It should be burned into our memory like bright dots of fire. These little dots are not dots at all: they are points of light opening into the larger cosmos. The ellipsis has a powerful gateway attribute. It’s one of the most useful symbols in an open-minded person’s equipment. It reminds us that there’s always more to everything than is said or expressed. This means that no book, group, idea, teacher, philosophy, religion or science, ever tells us all we need to know about anything. There is always more beyond what is given.
Also useful for our understanding is the word “etcetera,” from the Latin, “the rest.” It is an antidote to our human tendency of period-and-stop thinking. The word should remind us of the bad habit we sometimes have of picking up a piece of the truth and saying with it. This is simple and obvious yet rarely understood and applied.