External Knowledge and Intuition

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Familiar forms and familiar words

In the psychic, as in the physical, we may see, hear, or sense something and then think about it. The thing that distinguishes the phenomenal or personality-level experience is that it can generally be more or less adequately thought about and expressed in terms of forms. That is, a personality experience can be adequately described in terms of shape, color, or sound. To put it another way, since it takes place in the realm of forms, common word forms provide the natural means of communicating or recording it. We hear a voice and it might say, ”Circle of flowers,” and we may ask what does that mean? Or we see a shape that resembles a circle of flowers or colors and we ask, ”What does that mean?” The key is, when we ask such a question we’re speaking about something phenomenal, something closer to the personality or manifest realms.

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Unified field

In the paragraphs above, I’ve divided life into spiritual and personality levels, but let’s unify them because that is more realistic. So, if we are evolving, our experience of life is moving toward unity. This means that in any seeing or hearing there can be a spiritual component. Everywhere, the spiritual transparency is laid over the personal one, because the worlds and our experience of them overlap in a unified way.

So, in every experience, physical-psychic-spiritual, we’re presented with a unified field. The physical and psychic (emotional-intellectual) components of any experience may be rightly questioned. We can examine these and assess them with the mind. But if there is a spiritual component, that is, if our experience has a soul, then that is the self-validating part. The body of our experience, the form it takes in our sense or psyche (shape, color, words), these are the external or relative part, the part that intellect can address. The spiritual part is transcendent to the intellect, and the mind cannot judge that which is beyond it.

“At that instant he saw, in one blaze of light, an image of unutterable conviction, the reason why the artist works and lives and has his being—the reward he seeks—the only reward he really cares about, without which there is nothing. It is to snare the spirits of mankind in nets of magic, to make his life prevail through his creation, to wreak the vision of his life, the rude and painful substance of his own experience, into the congruence of blazing and enchanted images that are themselves the core of life, the essential pattern whence all other things proceed, the kernel of eternity.”

Time and the Rive, Thomas Wolfe

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